SELECTED SOLO EXHIBITIONS

  • SŌMI Gallery, Sturgeon Bay, WI: Miasma, 2022.
  • Lawton Gallery, University of Wisconsin-Green Bay: Retrospectacle, 2017.
  • Wriston Galleries, Lawrence University, Appleton, Wisconsin: Cosmogony 2.0, 2014.
  • Sedge Meadow Cultural Residency, Rudolph, Wisconsin: kosmos, 2012.
  • Bohrod Gallery, University of Wisconsin-Fox Valley, Menasha, Wisconsin: Enlightenment 2, 2008.
  • Museum of Wisconsin Art, West Bend, Wisconsin: Arca Arcana, 2008.
  • Watrous Gallery, Wisconsin Academy of Sciences, Arts & Letters, Madison, Wisconsin: Surveying Desire XV: Overtures, 2006.
  • Peninsula Art School, Fish Creek, Wisconsin: Surveying Desire XIII: Observatory, 2004.
  • Cardinal Stritch University, Milwaukee, Wisconsin: Surveying Desire XI: Fictions, 2004.
  • Saint Cloud State University, Saint Cloud, Minnesota Surveying Desire X: Quest, 2003.
  • Elgin Community College, Elgin, Illinois: Surveying Desire VIII: Reconnaissance, 2001.
  • Wisconsin Academy of Sciences, Arts & Letters, Madison, Wisconsin: The Pathology of the Heart, 2000.
  • Albrecht-Kemper Museum of Art, Saint Joseph, Missouri: Prospect and Refuge: Surveying Desire, 1997.
  • Percent for Art permanent installation, University of Wisconsin-Milwaukee School of Architecture and Urban Planning (with Paul Emmons): Mneme XXXI: Dwelling in the Plan, 1993-1995.
  • SPACES, Cleveland, Ohio: History Painting, 1993.
  • Gastatelier Elba, Nijmegen, Netherlands: Mneme XXVII: Dolhuis [“Madhouse”], 1993.
  • Raum 1, Düsseldorf, Germany: Mneme XXV: Traum [“Dream”], 1992.
  • Walker’s Point Center for the Arts, Milwaukee, Wisconsin (with Paul Emmons): Mneme XXII: Block 38 Lot 10, 1991.
  • River Edge Galleries, Mishicot, Wisconsin: Mneme Garden, 1991.
  • J. M. Kohler Arts Center, Sheboygan, Wisconsin: Mneme XVIII: Rites of Passage, 1990.
  • Madison Art Center, Madison, Wisconsin: Mneme XIII, 1988.
  • Cape Townsend Art Workshop, Algoma, Wisconsin: Mneme Monument, 1988.
  • Lawton Gallery, University of Wisconsin-Green Bay: Mneme XII: Voices, 1988.
  • The Wisconsin Academy of Sciences, Arts & Letters, Madison, Wisconsin: The Mneme Series, 1987.
  • Chemeketa College, Salem, Oregon: The Mneme Series, 1986.
  • Gustavus Adolphus College, St. Peter, Minnesota: The Mneme Series, 1985.
  • University of Wisconsin Center-Marshfield, Marshfield, Wisconsin: Further Re:Visions, 1981.
  • University of Wisconsin Center-Waukesha, Waukesha, Wisconsin: Night Commuter, 1981.
  • Fine Arts Galleries, University of Wisconsin-Milwaukee, Milwaukee, Wisconsin: Installations: Carol Emmons and Katherine King, 1980.
  • Northern State College, Aberdeen, South Dakota: Polygamy, Etcetera, 1978.

SELECTED GROUP EXHIBITIONS

  • Washington Alexandria Architecture Center, Alexandria, Virginia: finishing: the ends of architecture, 2023.
  • NewARTSpace, DePere, WI: NEWYear:newART II, 2022.
  • NewARTSpace, DePere, WI: NEWYear:newART I, 2022.
  • John Michael Kohler Art Center, Sheboygan, WI: Collection Highlights: The Alchemists, 2021-22.
  • A+B Gallery, Deakin University, Victoria, Australia (collaboration with Paul Emmons): Back to the Future of Public Space: Postcards from 2020; traveling to Melbourne Testing Grounds: Media Architecture Biennale #Future, 2021 https://demos.mediaarchitecture.org/mab/project/10; Media Architecture Biennale Utrecht University, Utrecht, Netherlands (online) https://demos.mediaarchitecture.org/mab/project/10, 2021; Virginia Tech University, Blacksburg, VA, 2021; Public Space Museum, Bologna, Italy, 2021; presented at Reimagining Public Spaces and Built Environments in the Post-Pandemic World Symposium, University of Alberta, Edmonton, AB, Canada.
  • Guenzel Gallery, Peninsula School of Art, Fish Creek, Wisconsin: Reply All: A Visual Thread, 2021.
  • James May Gallery, Algoma, Wisconsin: The Art of Water IV,  2020. [online]
  • Milwaukee Institute of Art and Design, Milwaukee, Wisconsin: Ossuary, 2020.
  • Lawton Gallery, University of Wisconsin-Green Bay: The Museum of Natural Inspiration, 2019.
  • Guenzel Gallery, Peninsula School of Art, Fish Creek, Wisconsin: The Future of Collage, 2019.
  • Robert Ray Gallery, Algoma, Wisconsin: The Art of Water III, 2019.
  • Hardy Gallery, Ephraim, Wisconsin: Making Marks, 2017.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: terrains|territories: dreams of place, 2017.
  • Washington Alexandria Architecture Center, Alexandria, Virginia: Ceilings and Dreams: the architecture of levity, 2017.
  • Neville Public Museum, Green Bay, Wisconsin: 72nd Art Annual, 2017.
  • Madison Museum of Contemporary Art, Wisconsin: Wisconsin Triennial, 2016 -2017.
  • University of Wisconsin-Milwaukee Fine Arts Galleries: Continuum 2016: Sculpture, 2016.
  • J.M. Kohler Arts Center, Sheboygan, Wisconsin: Arts/Industry: Collaboration and Revelation, 2014.
  • Woodland Pattern Gallery, Milwaukee, Wisconsin: Southern Graphics Council Conference, The Tabloids: A Portfoldio, 2013.
  • Charles Allis Art Museum, Milwaukee, Wisconsin: The Charles Allis: 100 Years, 2011.
  • Madison Museum of Contemporary Art, Madison, Wisconsin: Wisconsin Triennial, 2010.
  • Washington-Alexandria Architecture Consortium, Alexandria, Virginia: Constructing Imagination, 2010.
  • Inova Fine Arts, University of Wisconsin-Milwaukee: Lutz/Emmons·Stoeveken/Copoulos-Selle, 2006.
  • Inova Fine Arts, University of Wisconsin-Milwaukee: Continuum 5.0, 2006.
  • University of Wisconsin-Sheboygan: Inside Out Sculpture Festival, 2005.
  • Wisconsin Academy of Sciences, Arts & Letters, Madison, Wisconsin: A Decade of Art, 2004.
  • Cardinal Stritch University, Milwaukee, Wisconsin: Paste. Nail. Weld, 2003.
  • Madison Art Center, Madison, Wisconsin: Wisconsin Triennial, 2002.
  • Exit Art, New York City, New York (unjuried): Reactions, 2002.
  • Union Gallery, University of Wisconsin-Milwaukee: Continuum, 2002.
  • Cardinal Stritch University, Milwaukee, Wisconsin: In My Library, 2000.
  • Newhouse Center for Contemporary Art, Staten Island, New York: Elements 2000, 2000.
  • Milwaukee Institute of Art & Design, Milwaukee, Wisconsin: Beyond the Object: Art as Public Experience, 1998.
  • Philadelphia Arts Alliance, Philadelphia, Pennsylvania (collaboration with Paul Emmons): ARCHItextURE, 1997.
  • Albrecht-Kemper Museum of Art, St. Joseph, Missouri: Waterproof Wallet Art, 1997.
  • Foster Gallery, UW-Eau Claire & Furlong Gallery, UW-Stout: CAST in 2 Parts, 1997.
  • Madison Art Center, Madison, Wisconsin: Wisconsin Triennial, 1996.
  • University of Wisconsin-Parkside, Kenosha, Wisconsin: UW Draws, 1996.
  • Chicago Cultural Center, Chicago, Illinois: Art on the Map, 1994.
  • Raum 1, Düsseldorf, Germany: Raum 1 Ausstellung, 1994.
  • Madison Art Center, Madison, Wisconsin: Wisconsin Triennial, 1993.
  • Union Gallery, University of Wisconsin-Milwaukee: De-Laminations, 1993.
  • J. M. Kohler Arts Center, Sheboygan, Wisconsin: The Invention of Childhood, 1992.
  • Muranushi Lederman (independent curators), New York, New York: The 1.5 Show, 1992.
  • Gingrass Gallery, Milwaukee, Wisconsin: Visual Arts Award Recipients, 1992.
  • Walker’s Point Center for the Arts, Milwaukee, Wisconsin: Then and Now, 1991.
  • River Edge Galleries, Mishicot, Wisconsin: Annual Exhibition, 1991.
  • Milwaukee Art Museum, Milwaukee, Wisconsin, traveling to Oklahoma City (Oklahoma) Art Museum and the Contemporary Arts Museum, Houston, Texas: Word as Image: American Art 1960-1990, 1990.
  • Madison Art Center, Madison, Wisconsin: A Decade Downtown, 1990.
  • Larson Gallery, Milwaukee, Wisconsin: Reflections on Light, 1990.
  • Madison Art Center, Madison, Wisconsin: Wisconsin Triennial, 1990.
  • River Edge Galleries, Mishicot, Wisconsin: Annual Exhibition, 1990.
  • Carnegie Arts Center, Covington, Kentucky/Cincinnati, Ohio: All Over the Map, 1989.
  • Milwaukee Institute of Art & Design, Milwaukee, Wisconsin: Wisconsin Sculpture: Look to the 1990s, 1989.
  • River Edge Galleries, Mishicot, Wisconsin: Annual Exhibition, 1989.
  • Sarratt Gallery, Vanderbilt University, Nashville, Tennessee: Eight for Eighty-Eight: A Survey of Contemporary Sculpture, 1988.
  • Tangeman Fine Arts Gallery, University of Cincinnati, Ohio: Directly on the Wall, 1987.
  • Fine Arts Galleries, University of Wisconsin-Milwaukee: University of Wisconsin-Milwaukee Alumni Exhibition (1st and 3rd “Exceptional Achievement” awards, selected by Neal Benezra, Curator, Art Institute of Chicago), 1987.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Wisconsin ’87, 1987.
  • Beloit College, Beloit, Wisconsin: Beloit and Vicinity Show, 1987.
  • Madison Art Center, Madison, Wisconsin: Wisconsin Triennial, 1987.
  • J. M. Kohler Arts Center, Sheboygan, Wisconsin: Shrines and Altars, 1986.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Back to the Point: Emmons·Leary·Rupsch, 1986.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Wisconsin ’86 (1st place award, selected by Richard Koshalek, Director, Museum of Contemporary Art, Los Angeles), 1986.
  • Milwaukee Art Museum, Milwaukee, Wisconsin: Technology in Art, 1985.
  • Orange County Center for Contemporary Art, Santa Ana, California: Between the Worlds, 1985.
  • Coffman Galleries, University of Minnesota, Minneapolis: Technology in a Human(e) Society, 1985.
  • University Art Museum, University of Wisconsin-Milwaukee: Celebration 100: A Century of Alumni Art, 1985.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Wisconsin ’85 (honorable mention award selected by Elizabeth Armstrong, Assistant Curator, Walker Art Center, Minneapolis, Minnesota), 1985.
  • Madison Art Center, Madison, Wisconsin: Wisconsin Biennial, 1984.
  • Milwaukee Institute of Art & Design, Milwaukee, Wisconsin: Six Sculptors, 1984.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Alumni Exhibition, 1984.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Wisconsin ’84 (3rd place award selected by Lynn Gumpert, Curator, New Museum of Contemporary Art, New York City), 1984.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Wisconsin ’83 II, 1983.
  • Triton Museum of Art, Santa Clara, California: Outdoor Sculpture, 1982.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Wisconsin ’81, 1981.
  • Gallery Sight 225, Milwaukee, Wisconsin: Sight 225 Invitational, 1980.
  • Park West Redevelopment Area, Milwaukee, Wisconsin: Earthworkshop, 1980.
  • University of Wisconsin Center-Waukesha: Waukesha National Print and Drawing Show, 1979.
  • Beloit College, Beloit, Wisconsin: Beloit and Vicinity Show, 1979.
  • Union Gallery, University of Wisconsin-Milwaukee: Union Art Gallery Competition, 1979.
  • Northern Illinois University, DeKalb, Illinois: Part Two by Two, 1979.
  • Plains Art Museum, Moorhead, Minnesota: 19th Red River Annual, 1978.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Packages ’78, 1978.
  • First Wisconsin Center, Milwaukee, Wisconsin: Wisconsin Women in the Arts Annual Exhibition (juror’s award), 1978.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Wisconsin ’78, 1978.
  • Union Gallery, University of Wisconsin-Milwaukee: Mid-Midwest Sculpture, 1978.
  • West Bend Gallery of Fine Arts, West Bend, Wisconsin: Wisconsin Men & Women in the Arts ’77, 1977.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Wisconsin ’77, 1977.
  • Madison Art Center, Madison, Wisconsin: Wisconsin Women in the Arts Annual Exhibition (juror’s award), 1977.
  • Broadway Galleries, Milwaukee, Wisconsin: Broadway International Post Card and Mail Art Exhibition, 1977.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Packages ’77, 1977.
  • Broadway Galleries, Milwaukee, Wisconsin: Alvin·Emmons·Palmer·Scott, 1977.
  • Scottsdale Center for the Arts, Scottsdale, Arizona: Arizona National, 1976.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Wisconsin ’76, 1976.
  • West Bend Gallery of Fine Arts, West Bend, Wisconsin: Women in the Arts ’76, 1976.
  • Cooperstown Art Association, Cooperstown, New York: 41st National Art Exhibition, 1976.
  • Union Gallery, University of Wisconsin-Milwaukee: Room of One’s Own: Baumann · Emmons · Lindert · Rivard, 1976.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Return Engagement: Emmons·Leary·Rudd, 1976.
  • Lakewood College, White Bear Lake, Minnesota: Northern Lights ’75 (3rd place sculpture award selected by Suzanne Kohn of Suzanne Kohn Galleries, St. Paul, Minnesota), 1975.
  • Foster Gallery, University of Wisconsin-Eau Claire: A Year of the Woman Exhibition, 1975.
  • Carlsten Gallery, University of Wisconsin-Stevens Point: Wisconsin ’75, 1975.

SELECTED PERFORMANCE ART AND THEATRE DESIGN

  • Walker’s Point Center for the Arts, Milwaukee, Wisconsin: Yesterday’s Recital/Tomorrow’s Rehearsal, performance piece with choreographer Linda Caldwell, 1991.
  • Dance Alabama, University of Alabama (Tuscaloosa), Linda Caldwell, choreographer: Yesterday’s Recital…Tomorrow’s Rehearsal projections, 1990.
  • Performance Art Festival, University of Wisconsin-Green Bay: Yesterday’s Recital, performance work with choreographer Linda Caldwell, 1990.
  • New Music Ensemble, University of Wisconsin-Green Bay, Terry O’Grady, director: Mneme set, slide projections and concept design, 1988.
  • Dance Theatre, University of Wisconsin-Stevens Point, Linda Caldwell, choreographer: So Long set/prop design, 1987.
  • Dance Theatre, University of Wisconsin-Stevens Point, Linda Caldwell, choreographer: Acrobatic Choirs and One More Kiss neon set design and fabrication,1985.
  • Dance Theatre, University of Wisconsin-Stevens Point, Susan Hughes Gingrasso, choreographer: Mind Imagery set and costume design, and set fabrication, 1976.
  • Dance Theatre, University of Wisconsin-Stevens Point, Susan Hughes Gingrasso, choreographer: The Oldest Art set design, 1975.

RESIDENCIES

  • J. M. Kohler Arts Center/Kohler Co., Kohler, Wisconsin Arts/Industry, March 25-June 29, 2012.
  • Ragdale, Lake Forest, Illinois; January 5-18, 2012.
  • Sedge Meadow Cultural Residency, Rudolph, Wisconsin; September 2011-May 2012.
  • Elba Gastatelier, Nijmegen, Netherlands; June-July, 1993.
  • Center for 20th Century Studies, University of Wisconsin-Milwaukee Fellow, 1991-1992.
  • Cape Townsend Art Workshop, Algoma, Wisconsin; July 1988.
  • Gustavus Adolphus College, St. Peter, Minnesota; 11/5-11/12/1985.
  • Northern State College, Aberdeen, South Dakota; 10/27-10/31/1978.

SELECTED GRANTS AND AWARDS

  • Dane County Cultural Affairs Commission Grant to Wisconsin Academy for Overtures, 2006.
  • University of Wisconsin-Milwaukee, Continuum commission finalist (1 of 3), 2006.
  • University of Wisconsin-Green Bay Frankenthal Professorship, 2000-2005.
  • Wisconsin Arts Board Travel Fund Grant, 1998.
  • Wisconsin Arts Board Percent for Art Commission; University of Wisconsin-Milwaukee School of Architecture and Urban Planning (with Paul Emmons, 1994.
  • Wisconsin Arts Board Sculpture Fellowship (selected by Frances Kelly, Curator, American Crafts Museum, NYC; Hung Liu, Mills College, Oakland, CA; Stephen Luecking, DePaul University, Chicago), 1991.
  • Wisconsin Arts Board Inter-Arts Fellowship (selected by Judy Moran, San Francisco; Alexs Pate, Minneapolis; Steve Busa, Minneapolis), 1990.
  • Wisconsin Arts Board Individual Project Grant, 1988.
  • Wisconsin Arts Board Visual Arts Fellowship Honorable Mention; 1986.
  • Wisconsin Humanities Council Grant for Devices exhibition (as curator/project director), 1983.
  • Wisconsin Arts Board Grant for Devices exhibition (as curator/project director), 1983.

SELECTED PRESS/BIBLIOGRAPHY

  • Andersson, Cristian. “Exhibition Review: Newyear:newART II.” fsm [Neenah, Wisconsin]. Late April 2022, pp. 4-5.
  • John Michael Kohler Arts Center. “Collection Highlights: The Alchemists.” https://www.jmkac.org/exhibition/collection-highlights-the-alchemists/. 2021.
  • Lidtke, Thomas D.  and Annemarie Sawkins. A Creative Place: A History of Art in Wisconsin. Cedarburg, WI: Cedarburg Art Museum. pp. 356, 367, 369, 394, 404, 409, 411, 441. 2021.
  • “Reply All: A Visual Thread/A Chain of Inspiration.” Peninsula School of Art, Fish Creek, Wisconsin. 2021.
  • Rhizoma Lab. “Back to the Future of Public Space: Postcards from 2020.” https://www.rhizomalab.com/back-to-the-future-of-public-space. 2021.
  • Balistreri, Rose. “The Mother of All Beauty.” Review of “Ossuary.” Urban Milwaukee. January 23, 2020. https://urbanmilwaukee.com/2020/01/23/visual-art-the-mother-of-all-beauty/
  • Clark, Laurie Beth. “Ossuary.” https://ossuaries.wordpress.com/about/. 2020.
  • Perkins, Stephen. “Carol Emmons, retrospectacle.” accordion publications https://accordionpublications.blogspot.com/. 5/13/2019.
  • Jaeger, Zach. “Line, Sketch, Finished Product.” Review of “Making Marks.”  Peninsula Pulse. 9/1-9/8/2017, pp. 6-7, section 2.
  • “Art Abounds: Wisconsin Triennial 2016.” Madison Museum of Contemporary Art (Wisconsin). 2016.
  • Color reproduction of The Cosmogony of Loneliness. Spoon River Poetry Review. Normal, IL: Spoon River Poetry Association. Winter/Spring 2012, covers.
  • Koher, Ruth, et. al. “arts/INDUSTRY.” Sheboygan, WI: J.M. Kohler Arts Center, 2014.
  • “Arts/Industry Profile: Carol Emmons.” John Michael Kohler Arts Center Newsletter (Sheboygan, WI). July/August 2012, p. 12.
  • Groshek, Matthew. kosmos. Exhibition brochure. Sedge Meadow Cultural Residency (Rudolph, Wisconsin). May 2012.
  • “Arts/Industry.” (reproduction of detail from Arca Arcana). John Michael Kohler Arts Center Newsletter (Sheboygan, WI). March/April 2012, p. 8.
  • Brehmer, Debra. Review of “The Charles Allis: 100 Years.” Milwaukee Magazine 4/1/2011.
  • Reid, Graeme. Review of “The Charles Allis: 100 Years.” Milwaukee Journal-Sentinel. 2/16/2011.
  • The Charles Allis: 100 Years. Illustrated brochure, Charles Allis Art Museum, 2011.
  • Wisconsin Triennial. Online catalog, including audio, 2010. + recorded audio guide to Here. There.
  • Stockinger, Jacob. Review of Overtures. Wisconsin State Journal (Madison). 1/18/2007, p.18.
  • Allen, Lue. Review of Overtures. Isthmus (Madison, Wisconsin). 1/12/2007, p. 18.    
  • Lynch, Kevin. Review of Overtures. The Capital Times (Madison, WI). 1/3/2007, pp. B1, B8.
  • “Critic’s Choice.” (listing re: Overtures with description and color photograph) Isthmus (Madison, Wisconsin). 12/15/2006, p. 28.
  • “James Watrous Gallery in Overture, Madison.” (notice for Surveying Desire XV: Overtures with photograph and description) Art in Wisconsin (Madison, Wisconsin). November-December 2006, p. 11.
  • Stockinger, Jacob. “Low-tech Installation Works.” (review with color photograph) Wisconsin State Journal (Madison, Wisconsin). 1/18/2007, p. 18. www.madison.com/archives/read.php?ref=/wsj/2007/01/18/0701170283.php.
  • Allen, Lue. “Soul mates and strangers.” (review with color photograph) Isthmus (Madison, Wisconsin). 1/12/2007, p. 18.
  • Lynch, Kevin. “Two Overture shows capture artful interplay.” (review) The Capital Times (Madison, Wisconsin). 1/3/2007, p. B1, B8. www.madison.cm/tct/features/stories/index.php?ntid=113430.
  • “Art Notes.” (events listing) Green Bay Press Gazette (Green Bay, Wisconsin). July 27, 2008. www.greenbaypress gazette.com/apps/pbcs.dll/article?AID=/20080727/GPG05/807270403.
  • Continuum. University of Wisconsin-Milwaukee, 2006.
  • Sculpture Inside Out. University of Wisconsin-Sheboygan, 2005.
  • Bellavance, Leslie. Surveying Desire XIII: Observatory. Peninsula Art School (Fish Creek, WI), 2004.
  • Article on Surveying Desire XIII. Peninsula Pulse (Fish Creek, WI). 8/13-27/2004, p. e23.
  • Article on Surveying Desire XIII. Door County Advocate (Fish Creek, WI). 8/12-18/2004, p. 29.
  • Preview article on Surveying Desire XIII. Door County Advocate (Fish Creek, WI). 8/5-11/2004, p. 29.
  • Article on Continuum finalists, JS (Milwaukee Journal Sentinel) Online. 3/24/2006. http://www.jsonline.com/blog/ index.aspx?id=118&month=3&year=2006.
  • Levy, Hannah Heidi. Famous Wisconsin Artists and Architects. Oregon, WI: Badger Books, 2004.
  • Auer, James. Review of Paste. Nail. Weld. Milwaukee Journal Sentinel. 9/24/2003.
  • Baxter, Annie. Website feature on Surveying Desire X. Minnesota Public Radio. 8/2/2003. http://news.mpr.org/programs/ wordofmouth/.
  • Kiehle Gallery, St. Cloud State University. Website documentation of Surveying Desire X: Quest. www.stcloudstate.edu/ art/ gallery/visitartsits/2003-emmons-carol/.
  • Portal Wisconsin website www.portalwisconsin.org (selection by Wisconsin Academy). 3/2002 .
  • Auer, James. Review of Wisconsin Triennial. Milwaukee Journal Sentinel. 4/22/2002.
  • Lynch, Kevin. Review of Wisconsin Triennial. Capital Times (Madison, WI). 3/13/2002, pp. 1D, 6D.
  • Fleischman, Stephen, et. al. Wisconsin Triennial. Madison Art Center (Madison, WI), 2002.
  • Lewis, Frank and Ed Krantz. Surveying Desire VIII: Reconnaissance. Elgin (IL) Community College, 2001.
  • Guequierre, Nathan. Review of In My Library. Shepherd Express (Milwaukee, WI). 9/28/2000.
  • Website feature on The Pathology of the Heart. http://wisconsinacademy.org/gallery/emmons.html, 2000.
  • Fleischman, Stephen. Curator’s Choice: Excellence in the Visual Arts in Wisconsin. Wisconsin Academy of Sciences, Arts and Letters website. (www.wisc.edu/wisacad/gallery/curators). 1999.
  • Rajer, Anthony and Christine Style. Public Sculpture in Wisconsin. SOS! Save Outdoor Sculpture and Fine Arts Conservation Services, Madison, WI. p. 42, 143 (inclusion of Mneme XXXI: Dwelling in the Plan). 1999.
  • Hendricks, Jon. Review of Creativity and Successful Aging. The Gerontologist. 10/1998, pp. 633-635.
  • Spencer, Mark. Prospect and Refuge: Surveying Desire. Albrecht-Kemper Museum of Art, Saint Joseph, MO. 1997.
  • Thorson, Alice. Review of Prospect and Refuge: Surveying Desire. Kansas City Star (Kansas City, MO). 8/15/1997, p. 23.
  • Brown, Gerard. Review of ARCHItextURE. Philadelphia Weekly (Philadelphia, PA). 7/23/1997, p. 24.
  • Rice, Robin. Review of ARCHItextURE. Philadelphia City Paper (Philadelphia, PA). 7/24-31/1997, p. 22.
  • Wisconsin Triennial. Madison Art Center (Madison, WI), 1996.
  • Korom, Joseph. Review of Mneme XXXI: Dwelling in the Plan. Art Muscle (Milwaukee, WI). 12/1995-1/1996, p. 11.
  • Emmons, Carol and Paul Emmons. Mneme XXXI: Dwelling in the Plan. UW-Milwaukee. 1995.
  • Krantz, Claire Wolf. Review of Art on the Map. New Art Examiner (Chicago, IL). 9/1994, pp. 43-44.
  • Artner, Alan G. Review of Art on the Map. Chicago Tribune. 5/29/1994, pp. 8-9.
  • Berger, Philip. Review of Art on the Map. Chicago Reader. 6/17/1994, p. 17.
  • Knight, Gregory. Art on the Map. Chicago Cultural Center (Chicago, IL), 1994.
  • Auer, James. Review of Wisconsin Triennial. Milwaukee Journal. 10/10/1993.
  • Wisconsin Triennial. Madison Art Center (Madison, WI), 1993.
  • Article on Mneme XXVII: Dolhuis. De Gelderlander (Nijmegen, Netherlands). 7/10/1993, p. STA2.
  • Color reproduction of Mneme I. Discourse: Journal for Theoretical Studies in Media and Culture. Indiana University Press. Winter 1992-93, cover.
  • Paine, Janice T. Review of The Invention of Childhood. The Milwaukee Sentinel. 9/18/1992, p. 8D.
  • Paine, Janice T. Review of Mneme XXII: Block 38 Lot 10. The Milwaukee Sentinel. 4/19/1991, p. 22, “Let’s Go” section.
  • Auer, James. Overview of Mneme XXII: Block 38 Lot 10. The Milwaukee Journal. 4/14/1991, p. E8.
  • Auer, James. Review of Mneme XXII: Block 38 Lot 10. The Milwaukee Journal. 4/5/1991, p. D2.
  • Mneme XXII: Block 38 Lot 10. Walker’s Point Center for the Arts, 1991.
  • Rhem, James. Review of Wisconsin Triennial. The New Art Examiner. 3/1991, pp. 38-39.
  • Lewis, Frank C. Carol Emmons/Mneme XVIII: Rites of Passage. Kohler Arts Center, Sheboygan, WI. 1990.
  • Photograph of Mneme XVIII: Rites of Passage. J. M. Kohler Arts Center calendar. 3/4/1990.
  • Wisconsin Triennial. Madison Art Center (Madison, WI), 1990.
  • Auer, James. Review of Wisconsin Triennial. The Milwaukee Journal. 10/7/1990, p. E10.
  • Simonsen, Kristen. Review of Wisconsin Triennial. The Daily Cardinal (Madison, WI). 9/28/1990, p. 4 .
  • Rhem, James. Review of Wisconsin Triennial. Isthmus (Madison, Wisconsin). 9/28/1990, pp. 29, 31, 42.
  • Paine, Janice T. Review of Wisconsin Triennial. The Milwaukee Sentinel. 9/21/1990, p. 22, “Let’s Go.”
  • Lynch, Kevin. Review of Wisconsin Triennial. The Capital Times (Madison). 9/22-23/1990, pp. 1E, 10E.
  • Bowman, Russell and Dean Sobel. Word as Image: American Art 1960-1990. Milwaukee Art Museum (Milwaukee, WI), 1990.
  • Auer, James. Article on Word as Image: American Art 1960-1990. The Milwaukee Journal. 6/10/1990, p. 1E, 10E.
  • Auer, James. Review of Reflections on Light. The Milwaukee Journal. 4/8/1990, p. 8E.
  • Auer, James. Review of Wisconsin Sculpture: Look to the 1990s. The Milwaukee Journal. 10/15/1989, p. 8E.
  • Auer, James. Review of River Edge Galleries exhibition. The Milwaukee Journal. 8/27/1989, p. 8E.
  • Barilleaux, Rene Paul. Carol Emmons: Mneme XIII. Madison Art Center, Madison, WI. 1989.
  • Stockinger, Jacob. Review of Mneme XIII. The Capital Times. 12/19/1988, pp. 31, 33.
  • Gerard, Paul. Review of Mneme XIII. Isthmus. 12/16/1988, p. 34, section 2.
  • Photograph of Mneme XIII. The Milwaukee Sentinel. 12/16/1988, p. 25, “Let’s Go” section.
  • Knowles, Susan. Review of Eight for Eighty-Eight. Art Papers (Atlanta, GA). 5-6/1988, p. 49.
  • Eldred, Crispin. Review of Pentagram Press books. Amphora (Vancouver, BC, Canada). 3/1988, pp. 16-19.
  • Brown, Patrick. Review of Directly on the Wall. Dialogue (Columbus, OH). 3-4/1988, p. 34.
  • Pendleton, Nicki. Article on Mneme VI: Friends of the Family. Vanderbilt Register (Nashville, TN). 2/19/1988, p. 6.
  • Orifici, Gregg. Review of Eight for Eighty-Eight. The Vanderbilt Hustler. 2/19/1988, p. 13.
  • Hieronymous, Clara. Review of Eight for Eighty-Eight. The Sunday Tennessean (Nashville, TN). 2/14/1988, p. 7F.
  • Eight for Eighty-Eight. Sarratt Gallery, Vanderbilt University (Nashville, TN), 1988.
  • Kamholtz, Jonathon. Review of Directly on the Wall. New Art Examiner. 12/1987, pp. 61-62.
  • Wisconsin ’87. Carlsten Gallery, University of Wisconsin-Stevens Point, 1987.
  • Jacobsen, Marci R. Photograph of Mneme VI: Friends of the Family. The Daily Cardinal. 10/5/1987.
  • Lewis, Frank. Review of Wisconsin Triennial. The Milwaukee Sentinel. 9/25/1987, p. 8, “Let’s Go.” 
  • Stamets, Russell A. Review of Wisconsin Triennial. Wisconsin State Journal (Madison, WI). 9/24/1987, p. 1, section 4.
  • Barilleaux, Rene. Wisconsin Triennial. Madison Art Center (Madison, WI), 1987.
  • Henderson, Tim. Review of Directly on the Wall. The News Record (Cincinnati, OH). Summer 1987, p. 1, section 4.
  • Findsen, Owen. Review of Directly on the Wall. Cincinnati Enquirer. 7/30/1987, pp. 1, 7, section C.
  • Spencer, Mark. Profile for The Mneme Series exhibition. Wisconsin Academy Review. 6/1987, pp. 37-38.
  • Auer, James. Review of Shrines and Altars. The Milwaukee Journal. 5/4/1986, p. 12E.
  • Auer, James. Review of Shrines and Altars. The Milwaukee Journal. 4/1/1986, “Xtra” section.
  • Photograph of Mneme VI. Stevens Point Daily Journal (Stevens Point, WI). 9/25/1986, p. 10.
  • Wisconsin ’86. Carlsten Gallery, University of Wisconsin-Stevens Point, 1986.
  • Lewis, Frank. Review of Celebration 100: A Century of Alumni Art. The Milwaukee Sentinel. 9/20/1985, p. 1 “Let’s Go.”
  • WHA-TV (Madison, Wisconsin). Segment on Technology in Art. (Wisconsin Magazine). 2/20/1985.
  • Auer, James. Review of Technology in Art. The Milwaukee Journal. 1/20/1985, p. 8E.
  • Brite, Jane Fassett. Technology in Art. Milwaukee Art Museum (Milwaukee, WI), 1985.
  • Turner, Kay, et. al. Between the Worlds: The Art of Women’s Altars. Orange County Center for Contemporary Art. (Santa Ana, CA), 1985.
  • Auer, James. Review of Wisconsin ’85. The Milwaukee Journal. 11/11/1985, p. 8E.
  • Wisconsin ’85. Carlsten Gallery, University of Wisconsin-Stevens Point, 1985.
  • Six Sculptors. Milwaukee Institute of Art and Design (Milwaukee, WI), 1984.
  • Wisconsin ’84. Carlsten Gallery, University of Wisconsin-Stevens Point, 1984.
  • Rhem, James. Review of Wisconsin Biennial. Isthmus (Madison, WI). 6/8/1984, p. 11 section 2.
  • Jensen, Dean. Review of Wisconsin Biennial. Milwaukee Sentinel. 5/25/1984, p. 16, “Let’s Go.”
  • Wisconsin Biennial. Madison Art Center (Madison, WI), 1984.
  • Wisconsin ’83. Carlsten Gallery, University of Wisconsin-Stevens Point, 1983.
  • McLellan, Leigh. Review of Pentagram Press books. Fine Print. 10/1982, pp. 149-150.
  • Frazer, Tony. Review of Pentagram Press books. Shearsman vi. Spring 1982, p. 74.
  • Wisconsin ’81. Carlsten Gallery, University of Wisconsin-Stevens Point, 1981.
  • Jensen, Dean. Review of Sight 225 Invitational. Milwaukee Sentinel. 7/25/1980, p. 9, “Let’s Go.”
  • Waukesha National Print and Drawing Show. University of Wisconsin Center-Waukesha, 1979.
  • Beloit and Vicinity Show. Beloit College (Beloit, WI), 1979.
  • Lentfoehr, Therese. Review of Interlude. The Milwaukee Journal. 7/8/1979, p. 2, part 5.
  • 19th Red River Annual. Plains Art Museum (Moorhead, MN), 1978.
  • Wisconsin ’78. Carlsten Gallery, University of Wisconsin-Stevens Point, 1978.
  • Beckman, Ann. Review of Wisconsin Women in the Arts Annual Exhibition. The Capital Times (Madison, WI). 8/9/1977, p. 18
  • Wisconsin Men and Women in the Arts ’77. West Bend Gallery of Fine Arts (West Bend, WI), 1977.
  • Wisconsin ’77. Carlsten Gallery, University of Wisconsin-Stevens Point, 1977.
  • Arizona National. Scottsdale Center for the Arts (Scottsdale, AZ), 1976.
  • Wisconsin ’76. Carlsten Gallery, University of Wisconsin-Stevens Point, 1976.
  • Women in the Arts ’76. West Bend Gallery of Fine Arts (West Bend, WI), 1976.
  • 41st National Art Exhibition. Cooperstown Art Association (Cooperstown, NY), 1976.
  • Northern Lights ’75. Lakewood College (White Bear Lake, MN). 1975.
  • Wisconsin ’75. Carlsten Gallery, University of Wisconsin-Stevens Point, 1975.

SELECTED INTERVIEWS

  • Zarov, Jonathon. Interview: Overtures. WORT Radio (Madison, WI). 12/29/2007.
  • Babbar, Sunil. Interview in Chandigarh, India for documentary film Chandigarh Calling. 1/12/2006.
  • Baxter, Annie. Interview: Surveying Desire X. Minnesota Public Radio. 8/2/2003.
  • McMullen, Jo. Interview: Surveying Desire X: Quest. KVSC Radio, St. Cloud State University. 9/10/2003. http://news. mpr.org/programs/wordofmouth/.
  • “A Garden of Memories.” Interview concerning Mneme Garden. Herald Times Reporter (Manitowoc-Two Rivers, WI); 4/30/1993.
  • Interview:  Dolhuis. Radio Rataplan, Nijmegen, Netherlands; 7/2/1993.
  • “Wisconsin Arts Board Fellowship Awards.” Prime Time Wisconsin. WHA-TV (PBS, Madison). 5/1/1991.
  • “Washington Street Since 1900, Part II (Saying in Public What We See in Private: An Experiment in History and Journalism.” Interview with Dean O’Brien included in Voyageur (Green Bay, WI), Summer/Fall 1995, pp. 11-17.
  • “Wisconsin Arts Board Fellowship Awards.” Prime Time Wisconsin. WHA-TV. 2/28/1990.
  • Radio Interview, WWSP, Stevens Point, WI; 10/13/1984.

SELECTED PROFESSIONAL PAPERS & PRESENTATIONS

  • “The Museum as Para-Site.” Presenter, College Art Association Annual Conference, New York, 2015.
  • “Chewing on Words: Reconsidering Text in its Materiality.” Session co-chair (with Paul Emmons) and presenter, College Art Association Annual Conference, Los Angeles, California; 2/25/2012.
  • “The Charles Allis: 100 Years” panel discussion, Charles Allis Art Museum, Milwaukee, Wisconsin; 2/4/2011.
  • “Space and Place.” Co-presenter on “The Charles Allis: 100 Years” Charles Allis Art Museum, Milwaukee, Wisconsin; 10/6/2011.
  • “Wisconsin Triennial.” Presenter/panel discussion, Madison Museum of Contemporary Art at Neville Museum, Green Bay, Wisconsin; 2010.
  • “Women Respond to Environment”, Presenter, Women’s Studies Conference, University of Wisconsin-Green Bay; 4/4/2008.
  • “Censorship: The Axis of Evil.” Presenter, Open Forum, University of Wisconsin-Green Bay; 9/16/2005.
  • “Diagramming Art/The Art of Diagrams.” Panel co-chair and Presenter, College Art Association Conference, Seattle, WA; 2/19/2004.
  • “The Creative Process.” Workshop presentation for the Medical College of Wisconsin continuing education program; Egg Harbor, WI; 8/1/2002.
  • “Getting from A to B.” Presenter, the College Art Association Annual Conference, New York, NY; 2/26/2000.
  • “Speaking the Language: Working with Architectural Drawings.” Presenter, Wisconsin Arts Board/Milwaukee Institute of Art and Design “Beyond the Object: Public Art” conference; 10/16/1998.
  • “Prologue to Surveying Desire: The Apparatus of Loneliness.” Presenter, University of Wisconsin-Green Bay Faculty Research Series; 4/3/1997.
  • “Physical Nature: Form and Meaning.” Panelist at the Madison (Wisconsin) Art Center in conjunction with the Wisconsin Triennial exhibition; 9/20/1996.
  • “Women Artists in Later Life: A Dialogue Where Art and Psychology Meet.” (with co-authors Dean Rodeheaver and Karen Powers). Presenter, the “Creative Edge” Conference, Neville Public Museum, Green Bay, WI, 2/2/1996.
  • “Word as Image/Text as Voice.” Presenter, Kean University, Union, New Jersey; 2/17/1994.
  • “Word as Image/Text as Voice.” Presenter, the College Art Association Annual Conference, New York, New York; 2/18/94.
  • “Re:Siting Memory.” Keynote address, Wisconsin Art Education Association Fall Conference, Milwaukee, WI, 1994.
  • “Social Histories*Personal Realities.” Panelist at the Madison Art Center; 11/12/1993.
  • “Artistic Identity and Creativity Across the Adult Life Course.” Poster session by co-author Dean Rodeheaver at the Annual Meetings of the Gerontological Society of America, New Orleans, LA; 11/1993.
  • “The Mneme Series: Ways of Knowing Home.” Presenter, the University of Wisconsin Women’s Studies Conference (“Women’s Ways of Knowing”), University of Wisconsin Green Bay; 10/2/1992.
  • “Mneme Theme: A Reverie.” Lecture at the Center for 20th Century Studies, University of Wisconsin-Milwaukee; 5/1/1992.
  • “Looking Backward: Memory, Culture, and Recent Art.” Panel organized and paper presented at the Mid-America College Art Association Annual Conference, Madison, Wisconsin; 10/18/1991.
  • “Creating in Context: Installation Art in Museums.” Presentation at the American Association of Museums Annual Meeting, Denver, Colorado; 5/22/1991.
  • “Photographs That Lie: Contrived and Altered Images.” Panel organized and paper presented at the Midwest Society for Photographic Education Conference, Green Bay, Wisconsin; 10/5/1990.
  • “Time, Memory, and Self.” Chancellor’s Colloquium on Research, University of Wisconsin-Green Bay; 3/7/1990.
  • “Time, Memory, and Self.” Presenter, the Mid-America College Art Association Annual Conference, Cincinnati, Ohio; 11/1/1989.
  • “Issues in Presentation: Alternatives to the Object.” Panel organized and paper presented at the Milwaukee Institute of Art and Design; 10/20/1989.
  • “Creativity and Technology.” Presentation at “Interactivity” (conference co-sponsored by the University of Wisconsin-Madison and the Madison Civic Center), Madison, Wisconsin; 4/16/1989.
  • “New Art Forms.” Presentation/Seminar Leader for the Wisconsin Art Education Association Conference, Green Bay; 4/29/1988.
  • “Environmental Art and Heroism.” Presenter, the Mid-America College Art Association Annual Conference, Kansas City, Missouri; 10/28/1988.
  • “Sculpture: A Metaphysical View.” Presenter, the Mid-America College Art Association Conference, Milwaukee, Wisconsin; 10/17/1981.

SELECTED VISITING ARTIST/LECTURES

  • Guest lecture and student critiques; Lawrence University; 1/25/2023.
  • Guest lecture with Paul Emmons, “Mneme XXXI: Dwelling in the Plan,” University of Wisconsin-Milwaukee School of Architecture and Urban Planning; 12/8/2022. (via web)
  • Guest lecture, “Art & Curatorship” Art 398: Curatorial Practice, University of Wisconsin-Stevens Point; 3/1/2021. (via web)
  • Juror’s talk, 47th Annual Juried Student Exhibition; University of Wisconsin-Green Bay; 11/14/2019.
  • Gallery discussion on The Future of Collage; Guenzel Gallery, Peninsula School of Art, Fish Creek, Wisconsin; 8/16/2019.
  • Jurors’ Panel 39th Annual Secura Fine Arts Exhibition; Trout Museum of Art, Appleton, Wisconsin; 5/11/2019.
  • Lecture “Five Difficult Pieces: You Call That Art?” on Guild Hall: An Adventure in the Arts. Trout Museum of Art, Appleton, Wisconsin. 3/16/2019.
  • Gallery talk on Lutz/Emmons & Stoeveken/Copoulos-Selle; UW-Milwaukee 10/20/2006.
  • Gallery talk on Overtures; Watrous Gallery, Wisconsin Academy of Sciences, Arts & Letters; 12/15/2006.
  • “Site-specificity.” University of Wisconsin-Milwaukee (3D Design) teaching presentation as part of Continuum competition and critiques of student work in progress; 4/5/2006.
  • Gallery talk on Surveying Desire: Observatory, Guenzel Gallery, Peninsula Art School, Fish Creek, WI; 8/11/2004.
  • Gallery talk on Surveying Desire XII: Fictions, Cardinal Stritch University, Milwaukee, WI; 2/15/2004.
  • Visiting Artist, St. Cloud State University, St. Cloud, Minnesota; 9/25/2003.
  • Interdisciplinary gallery discussion on Terra Firma I, Lawton Gallery, University of Wisconsin-Green Bay; 2/13/2003.
  • Gallery talk on The Index of Desire, Cardinal Stritch University, Milwaukee, WI; 9/7/2001.
  • Presenter, “An Evening of Creative Voices in Art, Fiction, and Theater,” (for the Friends of the Cofrin Library), University of Wisconsin-Green Bay; 11/3/1999.
  • “Installation Art.” Visiting Artist, University of Wisconsin-Madison; 9/20/1996.
  • “Re:Siting Memory [The Art of the Mneme Series].” Keynote address, Wisconsin Art Education Association Fall Conference, Milwaukee, Wisconsin; 10/27/1994.
  • “Projections/Installation.” Visiting Artist, University of Wisconsin-Milwaukee; 3/31/1992.
  • Visiting Artist (Art Survey), University of Wisconsin-Milwaukee; 11/11/1991.
  • Visiting Artist, University of North Carolina-Greensboro; 3/14/1991.
  • Gallery talk on Mneme XVIII: Rites of Passage, J.M. Kohler Arts Center, Sheboygan, WI; 1/20/1990.
  • Presentation on Mneme XIII, Madison Art Center, Madison, WI; 1/22/1989.
  • Visiting Artist (Senior Seminar), Minneapolis College of Art and Design; 4/28/1989.
  • Presentation on Mneme XIV, University of Wisconsin Center-Marshfield; 2/27/1989.
  • Visiting Artist, Summer Art Studio, University of Wisconsin-Green Bay; 6/21/1988.
  • Gallery talk on Mneme XII, University of Wisconsin-Green Bay; 3/2/1988.
  • Visiting Artist, Vanderbilt University, Nashville, Tennessee; 2/15/1988.
  • Visiting Artist, University of Wisconsin-Whitewater; 4/15/1988.
  • Miniworkshop (outdoor installations); lecture, Cape Townsend Art Workshop, Algoma, Wisconsin; 7/20-7/21/1988.
  • Slide lecture, University of Wisconsin Center-Marshfield; 5/4/1987.
  • Visiting Artist, University of Wisconsin-Madison; 4/23/1987.
  • Visiting Artist, University of Wisconsin-Stevens Point (2 lectures, Dance History); 5/6, 5/8/1986.
  • Visiting Artist (Sculpture), University of Wisconsin-Madison; 7/24/1986.
  • Visiting Artist, University of Wisconsin-Stevens Point; 9/17/1986.
  • Visiting Artist, Gustavus Adolphus College, St. Peter, Minnesota; 11/ 12/1985.
  • Visiting Artist, University of Wisconsin-Eau Claire; 10/10/1985.
  • Slide lecture on Mneme VI: Friends of the Family, University of Minnesota, Minneapolis; 3/13/1985.
  • Visiting Artist, Milwaukee Institute of Art and Design; 4/5/1984.
  • Visiting Artist, University of Wisconsin-Stevens Point (Senior Seminar); 10/5/1983.
  • Visiting Artist, University of Wisconsin-Stevens Point (Senior Seminar); 3/31/1982.
  • Visiting Artist, University of Wisconsin Center-Waukesha; 9/28/1981.
  • Visiting Artist, University of Wisconsin Center-Marshfield; 4/28/1981.
  • Visiting Artist, University of Wisconsin-Stevens Point (Student Art League); 4/21/1981.
  • Visiting Artist, Northern State College, Aberdeen, South Dakota; 10/31/1978.

SELECTED PUBLISHED WORKS

  • Books published as artist/co-designer

    • Emmons, Carol and Paul Emmons (with graphic production by Christine Style). Mneme XXXI: Dwelling in the Plan. Milwaukee, Wisconsin: University of Wisconsin-Milwaukee. 1995.
    • Lessing, Karen. Spaces of Sleep in Midsummer. Markesan, Wisconsin: Pentagram Press (with Michael Tarachow). 1982.
    • Ott, Gil. Maize. Markesan, Wisconsin: Pentagram Press (with Michael Tarachow). 1980.
    • Tarachow, Michael. Interlude. Milwaukee, Wisconsin: Pentagram Press (with Michael Tarachow). 1979.

  • Book chapter, co-author

    • Rodeheaver, Dean, Carol Emmons, and Karen Powers. “Context and identity in women’s late-life creativity.” In C. Adams-Price (ed.), Creativity and Successful Aging. New York: Springer, 1998.

  • Artist pages

    • Mneme. Art Journal (New York, New York). Spring 1995, pp. 10-11 (with Carol Polacek).
    • Mneme Pages. Art Muscle (Milwaukee, Wisconsin). 5-6/1990, pp. 23-24.

  • Video

    • Devices: An Exhibition of Technological Art. Video catalog/program. Broadcast on WHRM-TV(PBS; Wausau, Wisconsin), 6/1/1984 (Linda Baldwin, producer).

  • Guest editor

    • Art Muscle. 4-6/1992, including an introduction.

  • Feature Articles

    • “Re-presenting Nature: Picturing the Truth.” (with Daniel J. Meinhardt). fsm [Neenah, Wisconsin]. August 2022, pp. 4-5.
    • “Contemporary American Women Artists.” Fine Arts Today. (Hanoi, Vietnam.) 7/2002, pp. 20 – 25.
    • “American Installation Art.” Fine Arts Today. (Hanoi, Vietnam.)  8/2001, pp. 27 – 30.
    • “Passing Thoughts on the Vietnam Wall Experience.” Art Muscle (Milwaukee, WI). 4-6/1992, pp. 19-21.

  • Exhibition reviews

    • “Bringing Shipwrecks to Life: Wisconsin Maritime Museum.” fsm (Appleton, Wisconsin) vol 3 issue 5 Late May 2023 p. 4.
    • “[un]Certain Futures at newARTSpace.” fsm (Neenah, Wisconsin) v3 issue 4  Late April. 2023 pp.4-5.
    • “Made to Order at the Trout Museum of Art.”  fsm (Neenah, Wisconsin) v1 #5  Sept. 2020 pp.10-11.
    • “Road Trip SHEBOYGAN: Good Road to Follow.” fsm (Neenah, Wisconsin) v1 #3  July 2020 p. 10.
    • “Road Trip CHICAGO: The Allure of Matter.” fsm (Neenah, Wisconsin) v1 #2 mid-March 2020, p. 10.
    • “Discursive Dress.” New Art Examiner (Chicago, Illinois). 10/1994, p. 44.
    • “Lorie Novak.” New Art Examiner. 4/1991, pp. 38-39.
    • “Margot Starr Kernan/Listening: A Video Novel in 3 Parts.” Art Muscle (Milwaukee, WI). 9-11/1990, p. 9.
    • “Regarding Art: Artworks About Art.” New Art Examiner. 10/1990, p. 46.
    • “From Impulse to Obsession.” Artpaper (Minneapolis, Minnesota). 2/1990, p. 17.
    • “Surface Appearances: The Painted Photograph.” Art Muscle. 1-3/1990, p. 10.
    • “Leslie Bellavance at Woodland Pattern.” Artpaper. 11/1989, p. 18.
    • “Drawing 1989.” Art Muscle. 11/1989-1/1990, p. 10.
    • “New Glass.” New Art Examiner. 11/1984, pp. 67-68.
    • “Hagen, Lutz, Merline.” New Art Examiner. 2/1984, p. 22.
    • “Wisconsin ‘83 I.” New Art Examiner. Summer 1983, p. 21.
    • “Remains To Be Seen.” New Art Examiner. 6/1983, p. 20.
    • “Wegman’s World.” New Art Examiner. 2/1983, p. 22.
    • “Clement, Fisher, Onofrio.” New Art Examiner. 5/1982, p. 21.
    • “Other Realities.” New Art Examiner. 3/1982, p. 18.

  • Exhibition essays

    • “Alpha > Omega: The Limner and the Liminal” in Christine Style Retrospective: A Passion for Prints & Drawings. Lawton Gallery, University of Wisconsin-Green Bay; 2020 pp. 32-39.
    • “Art & Text.” Wriston Galleries, Lawrence University (with Leslie Walfish); 2013.
    • “Carol Emmons on Frank Lutz.”  Continuum. Milwaukee: Peck School of the Arts/University of Wisconsin-Milwaukee, 2006; n.p.
    • “Leslie Bellavance: Common Knowledge.” University of Wisconsin-Green Bay Lawton Gallery; 2/1990.
    • “Bruce Charlesworth.” UW-Stevens Point Carlsten Gallery; 11/1986 (with Mark J. Spencer).
    • “Options: Gloria DeFilipps Brush & Thomas C. Uebelherr.” UW-Stevens Point Carlsten Gallery; 7/1986 (with Mark J. Spencer).
    • “Devices: An Exhibition of Technological Art.” UW-Stevens Point Carlsten Gallery; 9/1983.
    • “Joseph Beuys.” University of Wisconsin-Milwaukee Fine Arts Galleries; 3/1980.
    • “Video Art.” University of Wisconsin-Milwaukee Fine Arts Galleries; 9/1979.
    • “Leslie Lerner/Mark Fishman.” University of Wisconsin-Milwaukee Fine Arts Galleries; 9/1979.
    • “William Wegman.” University of Wisconsin-Milwaukee Fine Arts Galleries; 9/1979.

CURATORSHIP

  • Exhibitions curated and designed
    • Art & Text; Wriston Galleries, Lawrence University (with Leslie Walfish); 2013.
    • Leslie Bellavance: Common Knowledge;  Lawton Gallery, University of Wisconsin-Green Bay; 1990.
    • Bruce Charlesworth; Carlsten Gallery, University of Wisconsin-Stevens Point (with Mark J. Spencer); 1986.
    • Options: Gloria DeFilipps Brush & Thomas C. Uebelherr; Carlsten Gallery, University of Wisconsin-Stevens Point (with Mark J. Spencer); 1986.
    • Devices: An Exhibition of Technological Art; Carlsten Gallery, UW-Stevens Point; 1983.
    • Twelve Milwaukee Artists: A Survey of Two-Dimensional Media; UW Center-Medford; 1981.
    • The Art of Small Press Printing; University of Wisconsin Center-Medford; 1981.
    • Outdoor Environmental Sculpture; University of Wisconsin Center-Medford; 1981.
    • Medford in the 19th and 20th Centuries: A Photographic Exhibition; UW Center-Medford; 1980.
    • The Rock (Medford area artists); University of Wisconsin Center-Medford; 1980.
    • William Wegman: Photographs, Drawings and Video Works; UW-Milwaukee Fine Arts Galleries; 1979.
    • Distance in Structural Measure: Lakes and Oceans (Leslie Lerner and Mark Fishman); University of Wisconsin-Milwaukee Fine Arts Galleries; 1979.
    • University of Wisconsin-Milwaukee Video and Performance Artists; University of Wisconsin-Milwaukee Fine Arts Galleries; 1979.
    • Exhibitions of the University of Wisconsin-Milwaukee permanent collection and recent acquisitions.

  • Curatorial assistant/installation designer

    • Director’s Choice; University of Wisconsin-Milwaukee Fine Arts Galleries; 1980.
    • Joseph Beuys; University of Wisconsin-Milwaukee Fine Arts Galleries; 1980.
    • German Expressionism from Milwaukee Collections; UW-Milwaukee Fine Arts Galleries; 1979.
    • Pictorialism and Its Tradition; University of Wisconsin-Milwaukee Fine Arts Galleries; 1978.
    • The Transformative Vision; University of Wisconsin-Milwaukee Fine Arts Galleries; 1978.
    • Photograms; University of Wisconsin-Milwaukee Fine Arts Galleries; 1978.
    • Numerous exhibitions of University of Wisconsin-Milwaukee faculty and student work.

  • Juror

    • Art at the Park awards juror; Appleton, Wisconsin; July 24-25, 2021.
    • Wolf River Art League 50th Anniversary Art Show awards juror; New London, Wisconsin; February 2020.
    • 47th Annual Juried Student Exhibition; University of Wisconsin-Green Bay; November 7, 2019.
    • 39th Annual Secura Fine Arts Exhibition; Trout Museum of Art, Appleton, Wisconsin; March 2019.
    • University of Wisconsin-Stevens Point Student Exhibition; December 2016.
    • James Watrous Gallery, Wisconsin Academy of Sciences, Arts and Letters, Madison, Wisconsin; member of jury panel for selection of artists for two years of exhibitions; February 28, 2008.
    • 40 x 40 in all its dimensions; Peninsula Art School, Fish Creek, WI; April 2005.
    • Visions III; Riverfront Arts Center, Stevens Point, WI; June 2001.
    • 22nd Juried Annual; Miller Art Center, Sturgeon Bay, Wisconsin; September 1997.
    • Six Counties: A Regional Survey; J. M. Kohler Arts Center, Sheboygan, Wisconsin; January 1994.
    • International Tattoo Contest; Green Bay, Wisconsin; September 1992.
    • Illinois Arts Council Fellowship Awards; Chicago, Illinois; October 1991.
    • University of North Carolina-Greensboro Student Exhibition; March 1991.
    • International Tattoo Contest; Green Bay, Wisconsin; September 1991.
    • University of Wisconsin-Whitewater Student Exhibition; March 1990.
    • Artstreet; Northeastern Wisconsin Arts Council; Green Bay, Wisconsin; August 1988.
    • University of Wisconsin Center-Marshfield Student Exhibition; May 1987.
    • Neon Art Competition; Northern Wisconsin Neon Workshop, Antigo, Wisconsin; July 1985.
    • Women Creating; Portage County Public Library, Stevens Point, Wisconsin; November 1983.
    • University of Wisconsin-Stevens Point Student Exhibition; April 1981.

EDUCATION

  • M.F.A., Art (Painting and Sculpture); University of Wisconsin-Milwaukee; 1980.
  • B.F.A., Art (Drawing and Painting); University of Wisconsin-Milwaukee; 1977.
  • B.S., Art, Philosophy; University of Wisconsin-Stevens Point (graduated with highest honors); 1975.

POSITION

  • Professor Emerita, Art & Design, University of Wisconsin-Green Bay.